The Technical Layer
What You'll Actually Learn in a Perfume Making Class
The part that separates a perfume class from mixing nice smells: how notes evaporate, how to build an accord, how strong to make it, and how to fix a blend that is not working.
Top notes
Citrus, herbs and light fruit. The first thing you smell and the first to fade, usually within the first half hour.
Heart notes
Florals, spices and green notes. They appear as the top notes lift and carry the character of the perfume for hours.
Base notes
Woods, resins, musks and vanilla. Slow to evaporate, they anchor the blend and are what you still smell at the end of the day.
Start small
An accord is three or four notes that smell like one idea. We start with a few drops each and build from there, never the other way round.
Families that pair
Citrus brightens woods, florals soften spice, vanilla rounds resin. You learn which families support each other and which fight.
Smell on strips first
Every combination is tested on paper strips before it goes in the bottle, so you commit only to a blend you already like.
How strong to make it
The ratio of scent to carrier decides whether you have a light body mist or a perfume. We explain the difference and help you choose.
Why some scents vanish
Light notes evaporate fast. A blend built only from top notes is gone by lunch; a little base note is what makes it last.
Skin changes everything
The same perfume smells different on different people. We show you how to test on skin before you decide it is finished.
Too sharp
Usually too many top notes. A drop of a heart or base note rounds it off without changing the idea.
Muddy or flat
Too many notes competing. Take one away rather than adding more; most good perfumes are simpler than people expect.
Nose fatigue
After a while everything smells the same. Step away, smell something neutral, and come back. We build that reset into the class.